The most mystifying part for me is the 30bpm increment from G7 to G8.

Doesn't make any sense to me either. I can keep the "drag and stroke" mostly clean on the pad for a few bars at 100bpm, after which it falls apart. Can't even get close to 140. I guess some dedicated shedding might get me to 120 but I doubt they'd be particularly admirable. The "drag ...

I'm enjoying the three tracks so far. This could turn out to be his best recording for quite some time.

Morgenthaler wrote:

Oh.

3ms ping time? Do you have the server in your basement?

percusski wrote:...I play Sonor and I don't even need to tune them

What, ever? What do you do when you re-head? Just leave the new heads in the same room as the tubs overnight, and when you come down in the morning they're on, seated and tensioned? Wow. Got to get me some of those...

I use 15" Dream Bliss hi-hats. Love 'em. Tend to use the "bottom" cymbal on top, actually.

Paul Marangoni wrote:I would really like to get that new CD, but I don't see it available anywhere.

The updated header image on Simon's FB page says "Available exclusively at concerts."

Well, that'll work.

Nice stuff.

percusski wrote:We just didn't have the budget for mastering unfortunately...

I think Chris might mean panning the instruments around the stereo image a little more. It needs to be an open sound but it's quite "tight" if you see what I mean.

Kurtis wrote:Why isn't everyone gabbing how good Marco is!? He's that good!

I am, of course, in awe of his facility.

I just don't like the sound he makes.

My loss.

The only all-in option I know is the ACS T Series Live in-ears, which have a tiny mic built into the outside of the ear bud to allow you to mix ambient sound in with your in-ear feed via a dedicated body pack. Because the mic is in the ear bud, the ambient sound is coming from the right auditory &qu...