Josiah wrote:^- that's interesting, but one has to ask which way the results are. Does the amped up person like faster music because they are amped up, or because the music gets them amped up and they like that. Would be impossible to isolate which direction it goes.
Totally impossible. As with emotions themselves, it is a cycle, not a uni-directional event. They are co-dependent.
In the entrainment theory, yes. in the pacemaker theory, no.I highly doubt it is a uniform issue for all humans. People learn, think and process information differently. It makes sense the "internal clock" would vary just as much.
Don't forget pitch, timbre, articulation, how long the notes are, dynamics, and all the other aspects of msic that don't translate into staff notation.Some drummers have talked about using larger movements for slower tempos. Some guys can pull out a groove pretty spot on for the desired tempo.
Being we are organic, it makes sense someones "natural" time will have organic attributes - breathing with the music, whatever. Some drummers have incredibly FEEL - but it is mechanically not in time because of this. VS Being in perfect mechanical time, which is a learned thing. You have to learn to NOT give into the emotion of the music, the tendency to rush or drag figures, etc
Given the (presumably umbrella fact) that nobody is born with inherently perfect mechanical time, it is a learned process, so the variations of that learning process probably coincide with the internal methods that individual uses to achieve the desired effect.Are movements external? external to what? the physical movement is the result of the mind, after all. Imagining (aka visualizing) movements use nearly all the same processes as actually doing it.There are lots of people who "learned" to keep time physically, stomping out 4's on the hats for instance. They fall apart without that physical crutch. They developed a truly 'external' time keeping mechanism.I think the real fascinating thing is beyond how, because it is what it is, but the finite differences within "in time". The same groove played by Vinnie will sound very different then say JR, even though both will be absolutely excellent in meter. Presumably due to incredibly minute differences in the timing of the notes, which we translate as "feel".