Re: SIMON PHILLIPS - The thread about Simon
Posted: Tue Apr 30, 2013 7:12 pm
giggle
Bringing drummers together since 1999
http://houseofdrumming.com/phpbb3/
You're probably thinking of Vantage Point.Kurtis wrote:I forget the DVD I have of him playing jazz in the studio.
Totally agree with you that personality doesn't diminish along with different tunings. Tuning your drums differently DOES affect your approach though on a subconscious level and affects how you physically execute ideas IMHORobert Bluman wrote:Simon is a perfect example of how jazz drummers who later fused rock and jazz(Billy Cobham, Tony Williams), had such a huge effect on rock drummers. Influenced by two pioneering jazz drummers, Simon doesn't play a note of jazz. He's a rock drummer, and yet because of his influences he has a jazz phrasing sensibility about his playing. I've always been a fan. That's right Jay, some drummers never change their sound, but unlike Gadd who's pretty much the only one who has the same drum sound on every style, , Simon's musical reach isn't vast. You won't hear him on a latin jazz recording, a jazz recording, or an R+B record. It's rock, and rock fusion. So really, he has no need to change his tuning preferences. I personally like when drummers change gear to suit a style or certain sound. Personality doesn't diminish , it's still their approach.
Robert Bluman wrote:Simon is a perfect example of how jazz drummers who later fused rock and jazz(Billy Cobham, Tony Williams), had such a huge effect on rock drummers. Influenced by two pioneering jazz drummers, Simon doesn't play a note of jazz. He's a rock drummer, and yet because of his influences he has a jazz phrasing sensibility about his playing. I've always been a fan. That's right Jay, some drummers never change their sound, but unlike Gadd who's pretty much the only one who has the same drum sound on every style, , Simon's musical reach isn't vast. You won't hear him on a latin jazz recording, a jazz recording, or an R+B record. It's rock, and rock fusion. So really, he has no need to change his tuning preferences. I personally like when drummers change gear to suit a style or certain sound. Personality doesn't diminish , it's still their approach.
"Hiromi - The Trio Project..." This video is no longer available due to a copyright claim by YAMAHA MUSIC PUBLISHING, INC..sturla wrote:And here is the whole Hiromi concert; Live In Marciac (2012) with Simon and Anthony Jackson on bass.
[youtube]http://www.youtube.com/watch?v=3JXLb-1idmw[/youtube]
bored at work wrote:Robert Bluman wrote:Simon is a perfect example of how jazz drummers who later fused rock and jazz(Billy Cobham, Tony Williams), had such a huge effect on rock drummers. Influenced by two pioneering jazz drummers, Simon doesn't play a note of jazz. He's a rock drummer, and yet because of his influences he has a jazz phrasing sensibility about his playing. I've always been a fan. That's right Jay, some drummers never change their sound, but unlike Gadd who's pretty much the only one who has the same drum sound on every style, , Simon's musical reach isn't vast. You won't hear him on a latin jazz recording, a jazz recording, or an R+B record. It's rock, and rock fusion. So really, he has no need to change his tuning preferences. I personally like when drummers change gear to suit a style or certain sound. Personality doesn't diminish , it's still their approach.
He's here all week, try the veal!
